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SPOILER ALERT: This story incorporates spoilers for the sequence finale of “The Handmaid’s Story,” now streaming on Hulu.

Bruce Miller has acknowledged he wanted to complete “The Handmaid’s Story” since sooner than the Hulu adaptation of Margaret Atwood’s e-book debuted in 2017. And followers who tuned into watch the sequence finale Tuesday will see Miller caught with that ending, and he’s obtained the receipts to point out it.

“Successfully, whenever you return and watch the pilot, at first of the pilot, you’ll be capable to hear her click on on that tape recorder that she clicks on the end of the sequence to start out out recording ‘The Handmaid’s Story’ throughout the audio — and we didn’t return and put that in, that was there,” Miller knowledgeable Choice.

“The Handmaid’s Story” sequence finale ends with June (Elisabeth Moss) returning to her mattress room throughout the Waterfords’ now-destroyed dwelling to start out recording her story, which begins with the first voiceover monologue given by June as a result of the handmaid Offred from the sequence premiere, in preparation to put in writing down a e-book about her time in Gilead.

“I always thought it made pure sense. The very final thing you acknowledge throughout the e-book about Offred is that she recorded this,” Miller said. “And so when Lizzie and I’ve been talking on the very beginning of the enterprise, you focus on the place you’re going to go. Ought to you might wave a magic wand and magically go six seasons — which is unbelievable — then what would we do? And hopefully you ended the place the e-book ended, which is she’s recording this in a cabin, after which she leaves it behind. We modified it a bit, nonetheless the sound division — who’s similar sound division we’ve had all alongside, could also be very excited that we’re paying off the Easter egg that they put throughout the very first episode.”

The ending of “The Handmaid’s Story” sequence is simply not the ending of the world of Gilead, which acquired’t be toppled until Hulu’s adaptation of “The Testaments,” Atwood’s 2019 sequel to her seminal 1985 novel. Miller is shepherding that sequence, which is at current in manufacturing, and dealing alongside lots of the similar group, along with Moss as a producer.

Throughout the interview underneath, Miller breaks down how “The Handmaid’s Story” finale will lead into the plot of “The Testaments,” and what changes shall be made to the sequel sequence from its provide supplies — along with how he decided the place to complete June’s story.

I was so excited to see Alexis Bledel come once more as her character Emily for the finale. How did that come about?

It was always understood, a minimal of for me, that I would do one thing if there was ever a time that it made sense to ship her once more. We appreciated her, and she or he appreciated being on the current. It was a logistical piece on the end, because you solely have a certain number of weeks to shoot it and it was important to me that she was in that part of the current that was shot in Gilead the place June was once more. Because of her being once more throughout the neighborhood meant a lot a lot much less whenever you didn’t uncover out what occurred to Emily. So it felt like she was half and parcel of that. But it surely certainly wasn’t a hard dedication the least bit, it merely felt similar to the the tumbler that wished to fall into place, nonetheless getting it to happen, as always, is tougher.

I didn’t even discover until the last word strains triggered me to return and watch the pilot that each one the scene in entrance of the ice cream retailer could be a scene from the pilot. The aquarium scenes with Hannah and Luke are one different reference to the pilot.

Throughout the novel, this was June’s story and she or he was the point of view, so that you simply solely knew what she knew, and that’s what made it scary. That’s what made it a story the least bit. It wouldn’t be a story whenever you observed it from 30,000 toes. It’s because of June doesn’t know what’s going to happen instantly or tomorrow or in that van or in that room or one thing. So it was important to me to keep up it in that space — that the current was her experience. It’s referred to as “The Handmaid’s Story.” So what I was contemplating is, the place shall I start and the place shall I end?



Courtesy of Disney/Steve Wilkie

How are approaching “The Testaments” TV sequence based mostly totally on the place you concluded “The Handmaid’s Story”? That e-book services on the tales of June’s daughters Hannah and Nichole, along with Aunt Lydia, nonetheless takes place 15 years after the events of “The Handmaid’s Story” e-book. Is that the time soar you’ll adjust to?

No, it might’t truly be that, because of it covers Hannah when she’s kind of in her 14, 15, 16-year-old years. So it’s about 5 years after “The Handmaid’s Story,” perhaps additional like three or 4, counting on how we resolve — there’s always a bit little little bit of guesswork involved, it’s not an precise world, nonetheless it’s someplace spherical three or 4 years after. And an important and the one function it’s any completely totally different is because of none of that stuff tracks age-wise. Because of our current takes place over a certain timeframe, and infants solely develop over a certain timeframe, and different folks aren’t merely the very best ages. Nichole is simply not going to highschool, and so we wanted to make changes for that. Nevertheless I’ve to say, Margaret bought right here to speak with me about “The Testaments” being an thought, and we spoke very early on regarding the notion of it. There was merely as lots of her giving me hints then.

So it appears as if, now you must pivot the current — nonetheless that pivoting occurred a really very long time previously, just by discussions between me and her about, “That’s the place I’m planning to associate with Aunt Lydia,” and she or he said, “Oh, cool.” She was telling me what she wanted to do, and I was contemplating of the way through which mine tracked with hers, nonetheless she was moreover asking questions regarding the current and the place it would observe. So we had a protracted, ongoing conversations. She wasn’t asking me for permission, by any means, nonetheless she was giving me notion into what I should do with the characters to put them in good stead naturally for “The Testaments.”

Courtesy of Disney/Steve Wilkie

What totally different characters might you carry over into “The Testaments”?

Anybody who has an hour free, I would carry over, if I could deal with to make it work. There are, in any case, enterprise points, nonetheless story-wise, I consider a great deal of them match into “The Testaments” world. These are spectacular of us, they normally’re my mates, they normally do their jobs beautifully, and I could be honored to have them come once more and be part of the story as soon as extra each time we’ll decide it out. They’re very linked. I indicate, it’s not like a sequel like one other points the place you’re merely lowering it off. The first set of characters matter massively to the second set of characters. So these tales are very tied collectively, and it’s very so much a continuation of this “Handmaid’s Story” that we’ve seen. You’re merely following the daughter as an alternative of the mother.

How will June be referenced? Or Nick? In “The Testaments,” Nick has a particular place inside Gilead versus how “The Handmaid’s Story” TV sequence ends, so how does that affect what your mannequin will appear as if?

We’ll truly reference them, and convey it into discount far more than it’s throughout the e-book, and earlier. Because of the e-book is principally centered on on her life, Agnes and Lydia, and all these elements of view of their life, and solely does it come to bear on the end. Nevertheless I consider the place we’re and what we’re doing with the story, with plenty of slight variations, they’re contemplating additional throughout the entrance of their minds, nonetheless characters are contemplating additional regarding the express people who made the changes finally of the ultimate sequence. So I consider that June is fairly extra present. And although Agnes doesn’t know throughout the story that that’s her mother, she’s telling a story on reflection in “The Testaments,” similar to “The Handmaid’s Story,” so that Agnes truly is conscious of all the story. So her very uncommon, very influential assortment of mothers is a big part of the story. It’s very good when you start keen about who the women are in her life who’ve influenced her, and, in any case, she’s obtained a great deal of June in her, which suggests she’s enormous problem.

Courtesy of Disney/Steve Wilkie

A lot of folks have had a troublesome time accepting Nick’s demise on the end of Episode 9. There’s been a great deal of psychological gymnastics of us have made to be like, “He obtained a parachute, and he’s gonna come out of the plane and we’ll see him throughout the finale.” On excessive that, there’s moreover heaps of people that have to think about that he was in on that plan to blow up the plane, that he knew about it, and he really was part of Mayday, like he’s throughout the e-book. So can you set the file straight on what Nick knew and didn’t and whose side he was on finally?

My sense of that’s he always thought every plane he was going to get on to was going to blow up. Because of he knew, merely even when he wasn’t in with Mayday, he was an Eye, and he knew how strong they’ve been. And I consider day by day, he usually thought it could be his remaining. I felt like Nick, when he obtained married and when his partner obtained pregnant, he couldn’t be the particular person we wanted him to be, that he was, that June appreciated, if he didn’t change his viewpoint to put his baby first. And that’s what she tells him to do. She says, “Youngsters look to their fathers.” And I consider that if the choice is, truly, perhaps die stopping or abandon your partner and baby, I can’t take into consideration that he isn’t contemplating that’s the safer route for shielding his family, is to stay within the established order. It’s transferring as a lot as be safer.

So to me, it didn’t have one thing to do with Mayday, truly, it merely wanted to do with being man. That’s all he wanted to try to be is an efficient man. And as quickly as he obtained married and put down roots in Gilead, I assumed, he truly has put in his lot. And he says very clearly, on the end of Episode 9, “It’s good that you simply simply be part of the winners.” He doesn’t say the very best of us. And that’s all that’s important to him to protect his family, is that he’s on the profitable side. Because of June is simply not collectively along with her baby, elevating her baby. It’s so much harder. So to me, it was a pure growth of the good man that he was, and as well as the good man that June kind of pulled out of him, that he would in no way in 1,000,000 years abandon his accountability to this son that’s coming into the world. That’s what I assumed. So he’s fully is conscious of the potential for Mayday to kill him regularly. And I consider he wasn’t shocked by a great deal of this stuff, that he might have stopped a ton of it, nonetheless he let all of it bear. Nevertheless I consider finally, I don’t assume he would’ve been shocked. He wouldn’t have been shocked if Lawrence had knowledgeable him beforehand. And I consider he nonetheless would have gotten on the plane.

There’s a great deal of references made to Nick all via the episode as successfully with June wanting up over the storage and points like that. I do know there wasn’t a ton of time to unpack her feelings surrounding his demise, nonetheless how so much did you must incorporate that and the way in which she’s dealing and grieving by the use of that?

Oh, fully. It is going to have been eight episodes about that, and I consider it’ll the next 25 years of her life. We did it as so much as I assumed she may be dealing with it at this stage, this close to when it occurred. But it surely certainly underlies all of the episode. It’s kind of why she’s having problem deciding to tell the story or not, is there are of us like Nick, people who she was in love with and that’s how that issue ended. Loads of her tales end terribly, so do you inform them or not? And I consider Luke says, these people are very good, they normally can’t be misplaced to historic previous, along with him. So I consider the mourning course of is just beginning. She appreciated every of these guys, nonetheless I consider she was in love with Nick on a really enormous diploma and via his faults and her faults, I consider they appreciated each other and always puzzled what would have occurred in a particular state of affairs. And I don’t assume that’s going to go away. I don’t assume there’s one thing throughout the episode that makes you assume June is anyplace near that. She’s about to tell you ways she met him when the current ends. The next issue she says is, “There was this scorching man throughout the storage.”

Courtesy of Disney/Steve Wilkie

Going to the alternative scorching man — Luke, and the way in which that ends for June. It’s left open ended, the place they plan to meet once more up and are nonetheless working in direction of getting Hannah, nonetheless aren’t actively a pair. Why end it that technique?

I consider they’ve modified it a lot, and because of that, it truly did appear to be the one technique that they may end responsibly, because of they’re not going to stop and get to know each other — although I consider they tried to do the fast mannequin of that after they obtained collectively in Toronto. They’re realizing it’s going to be a protracted, subtle relationship, nonetheless it ends up. And I like that the reality that they love each other has in no way been in question — it’s merely the actual fact of whether or not or not their lives are going to be completely collectively or partially collectively. He bought right here into his private this season in a technique the place he felt like he wasn’t going to try to make one other particular person’s life larger, he was going to do what he thought was correct and good for the world. He was truly residing his life for the oldsters spherical them and tried to keep up them joyful, collectively together with his daughter. Nevertheless I consider proper right here he was contemplating, “If I’m not merely wanting spherical for any individual to be sad, what am I doing?”

Going once more plenty of episodes proper right here — this has been sitting with me since they launched it up: Moira and June have been having a dialog about what Nick did to betray Mayday, they normally ship up Angelina Jolie, Rihanna and Halle Berry. The place are these ladies, Bruce? If these of us exist on this universe, did they grow to be Handmaids? Are they Marthas? The place’d they go? Did they get to Hawaii?

I suppose all of them, all these of us, are smart enough to get far, far-off. Fully. Rihanna would in no way be caught anyplace near this, or Angelina Jolie or Halle Berry. So I consider they fully are all in primarily probably the most beautiful, most safe nation that they may most likely uncover.

Hopefully attempting to save lots of numerous us, nonetheless.

Hopefully attempting to save lots of numerous us, nonetheless I don’t assume any of those of us have been swept up throughout the horribleness. Thank God.

Considered one of many vivid spots throughout the finale is the alternate actuality scene June wishes the place she is out with the entire Handmaids and Rita at a karaoke bar singing “Landslide.” In a packed finale, how did you establish that dream sequence should be included proper right here?

I was attempting to contemplate, truly, when you bear a state of affairs like this, finally, what does June want? Because of she doesn’t want points once more the way in which through which they’ve been, because of then you definitely undoubtedly don’t know Janine or Alma or Nick. So the large question proper right here is, what does she want? She lastly says, “I would love points the way in which through which they should have been” — and should have been means you do know Janine, and in addition you do know Alma. So at first of the current throughout the first few seasons, June didn’t have any wishes. She had recollections. The long term was horrible. What would she dream about? She had recollections, and she or he would lay in mattress and consider her daughter. Now, as we get to the very end of the current throughout the remaining season, it’s the first time we now have any wishes throughout the current. And he or she has a dream at first of Hannah, after which she has a dream on this final episode and it was because of she has reached the aim the place she’s dreaming as soon as extra, the place she has aspirations for the way in which the world should be in constructive strategies, not merely bloody commanders everywhere. And so that’s truly the highest, in some strategies, this enormous part of her life as a Handmaid, is when she might lastly dream as soon as extra.

Courtesy of Disney/Steve Wilkie

We don’t get a ton of Serena throughout the finale, nonetheless we do get closure for her, and we get forgiveness from June — which I actually really feel like could also be very daring, and goes to be a controversial dedication. Notably because of two episodes prior, and from the beginning of the season, she said, “No, I don’t forgive you. I don’t. How might I forgive you?” So why did she make that various, and does she genuinely indicate it? Or was she saying it because of she doesn’t assume she’s going to see Serena as soon as extra, and so let’s merely end it this way?

I consider it was aspirational, like, “I hope I can indicate this,” because of correct afterwards, she says, “You must start someplace.” So I consider the idea is she’s unlikely devoted to embracing one thing about this lady, nonetheless she is ready to let go of what ties them collectively, if she is going to. And I consider that’s what it was about. It wasn’t additional about, “I’m not going to see you as soon as extra,” it’s, “I’m not going to have you ever ever as my horrible issue anymore. You’re going to go away. And I’ve plenty of totally different points to contemplate. I’ve a busy life. I’m completed with you, and so I’ve to forgive you, to let you go.” And it must be launched up plenty of situations the place she’s contemplating, “I really don’t fucking forgive you,” earlier throughout the season. And proper right here, keen about it, it’s not, “You most likely did one factor that was OK,” it’s, “I’m forgiving you.” Throughout the e-book, that’s one factor Margaret Atwood said, is that’s what precise power is — who will get to forgive who. So that went once more to “The Handmaid’s Story.”

Janine is alive. Janine is free. And Janine has Charlotte. And that’s all most people have been hoping for at a certain stage by the highest of the sequence. What motivated you to current that one enormous joyful ending to a persona who has been consistently overwhelmed down?

That was very good, and I consider we’ve been working in path of it for all the season, in the case of the puzzle gadgets slowly coming collectively to let that issue that should have occurred so means again lastly, lastly happen. Lydia has been going by the use of a extremely attention-grabbing arc that Ann Dowd has been having fun with for two or three seasons of reforming, at first to see Janine as a human, after which to see all her girls, as she calls them, as folks. I consider that that’s the fruit that that every one bears, is lastly, on this season, Lydia locations her money the place her mouth is plenty of situations — and that’s one in all them. And what I wanted to point was that Lydia and, in a certain sense, Naomi [Ever Carradine], wasn’t going to let her die in there. When she obtained taken by the Eyes, they normally have been going to do one factor to her, Lydia was not going to let that happen. It’s such an emotional coronary heart of the current, these two ladies.

However as well as Naomi has come a long way in the case of how so much she believes throughout the Handmaid system, however moreover how so much she believes throughout the stability of Gilead as a future for her daughter. And also you’ll’t be a woman in Gilead and by no means consider your daughter’s future, in case you’ve got a daughter. Nevertheless I consider that Naomi particularly was always contemplating, “My daughter goes to complete up being on the excessive echelon of society,” like any individual like Agnes in “The Testaments,” and so she acquired’t have very many worries. As that begins falling apart around her, she realizes that this baby shall be safer with Janine, and that Janine will do fully all of the issues to take care of this baby and would lay down her life. So it felt like this pure growth for the alternative characters, along with Janine, so that when Janine lastly truly needs help, she’s laid this groundwork from Lydia, from the first friggin episode of the television current, that pays dividend to that second. And he or she plucks her out of there, and she or he does exactly what Janine knowledgeable her to not do: “Depart me alone. Don’t hassle. Don’t butt in anymore. I’m fantastic with out you. You merely fuck points up. Don’t do one thing.” After which she did, and she or he obtained her out.

Courtesy of Disney/Steve Wilkie

The utilization of “Look What You Made Me Do” (Taylor’s Mannequin) in Episode 9 had Swifties going crazy. Followers have inspected a couple of of that scene and seen a persona shot solely from behind that’s strolling in such a technique they assume it’s Taylor Swift herself. Was that her? Did Taylor have a cameo?

I can’t say one thing. I’m not allowed to say one thing.

“Not allowed to say one thing”? Successfully, that makes the speculation worse!

All correct, I’m good at making points worse — that’s how I make all of my money.

How prolonged will or not it’s until we get to see “The Testaments”?

We’re successfully on our technique in path of constructing it. And we’re within the midst of producing, and it’s such a pleasure. We launched over so many people from “The Handmaid’s Story” that we might: the crew, and Elisabeth Moss and I are working collectively as soon as extra, and Warren [Littlefield] and Steve Stark, and Lauren [Thorpe] and all these of us all once more collectively. It’s a pleasure to be doing that, and the usual of the work continues to be so very good that every time I’m blown away. So it’s coming so much earlier than I consider the next season of “Handmaid’s” would have come, nonetheless we’re successfully into it, and it’s coming alongside merely splendidly. I consider it’ll be a great deal of — in the way in which through which my current is a great deal of fulfilling, I consider it’ll be a great deal of fulfilling.

This interview has been edited and condensed.